How to Write a Novel
with Sharlene Teo
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Registrations for this course are now closed but do join our mailing list here to be updated on future courses like this.
Summary
Course code: ST6
4 online workshops of 2.5 hours each
For Foundation to Intermediate Writers
Limited places available
Selective entry – we’ll offer places to writers who show promise
Dates
4, 11 & 25 September, 2 October 2021 (Saturdays)
5:00 to 7:30 pm SGT
No partial sessions accepted
Venue
Workshops will take place online via Zoom
Successful participants will receive a private link to the workshops
Follow up consultations with participants may be available
Overview
Week 1: Getting started. The seed of an idea. Exploratory freewriting. Note-taking methodologies. Why are you telling this story?
Week 2: Point of view and Characterisation. Who is doing the telling? Why does it matter?
Week 3: Plot, structure, story shape and momentum. How to keep going?
Week 4: Editing, rewriting, fighting perfectionism/ resistance/ moving forward.
Learning Outcomes
After completion of the workshop series, participants will:
- develop their ability, skills & techniques in developing, plotting, planning, writing, and editing long form fiction in the novel form
- have their writing improved through peer critique and presenter guidance during the workshops
- come away with an understanding of what it takes to write a novel on their own.
Please note participants are required to attend all 4 online sessions.
Who should register?
Fiction Writers including:
- Foundation Writers — Early stage, promising writers without any publication history. This includes those who are writing for the first time or have never written with deadlines or structure before, or
- Intermediate Writers — Writers who have chosen to pursue writing as a full time or part time career with a serious, professional intent but who are not yet published with a mainstream or recognised independent publisher.
Participants will be selected by the Visiting Writer with assistance from the Asia Creative Writing programme. A waiting list will be maintained.
Registration and Pricing
Course Prerequisites
To sign up, please register at this link with the following documents:
- A 500 word writing sample (your writing sample does not have to be from the genre of the course nor your current writing project; it will be an assesment of your standard and style of writing)
- A short summary of your writing project of ~100 words
- A short biography of ~100 words
Course Fees
- For 4 workshops of 2.5 hours each:
- $125 for adults
- $50 for students, unemployed, low income migrant workers
- Free for undergraduates from Singapore tertiary institutions
- Non refundable if cancellation 2 weeks or less before course starts
- Please email us if financial assistance is needed
About Sharlene Teo
Sharlene Teo’s debut novel Ponti was published by Picador and Simon and Schuster in 2018. Her work has been translated into eleven languages and featured in places such as the Guardian, the TLS, LitHub, Granta and Vogue. She completed an MA in Prose Fiction and a PhD in Creative and Critical Writing at the University of East Anglia. She lectures at the University of Kent and lives in London.
Other Courses & Events with Sharlene Teo
Time, Memory, History: A Hybrid Genre Workshop
This free workshop helps creative writers make a hybrid genre text, co-presented by two of Singapore’s leading, award winning writers, Sharlene Teo and Jing-Jing Lee.
Writer to Writer with Sharlene Teo
Book a one-on-one mentoring session with Sharlene Teo to discuss your writing project. Sharlene will provide guidance to help your creative practice and support your writing life.
The South East Asian Uncanny
This three-week workshop explores the Asian Gothic and the Asian uncanny in Southeast Asian contemporary fabulist fiction. Participants will also look at how to integrate the uncanny in short fiction or a novel, uses of the uncanny, adaptations of existing myths, and finally editing.
Finding Your Novel’s Voice
This four‐week workshop combines a review & critique of participants’ work & discussion on assigned readings of Asian & Asian disasporic writers. The workshop would look at distinctiveness of voice on a sentence level, and then move on to voice in dialogue, voice on a thematic level and finally voice on an affective level.