This paper is a creative report on the cinematography of the film Writings On The Wall. It describes my intentions as a cinematographer, from the pre-production stage through to the execution (production), and through to the final look (post-production). With the use of main cinematography elements such as camera movement, lighting, and color theory, I hope to convey a distinct visual style. I aim to use these visual languages to bring the film’s underlying themes and bring the Director’s vision to life by incorporating these elements.