The Arts for Ageing Well | Webinar
Presented by Professor Andy Ho
ARTISAN (Aspiration and Resilience Through Intergenerational Storytelling and Art-based Narratives) was developed by Associate Professor Andy Ho with his PhD student Ms. Stephanie Hilary Ma of the Action for Community Health (ARCH) Laboratory at the School of Social Sciences of Nanyang Technological University (NTU), in partnership with National Arts Council, the National Museum of Singapore, TOUCH Community Services and Care Community Services Society. The aims of ARTISAN are to alleviate loneliness, cultivate resilience and build social connectedness among the young and the old through a holistic and multimodal intervention framework that combines the 3 distinctive elements of 1) participatory arts; 2) facilitated storytelling, and 3) curated arts spaces.
From our pilot study in 2018, the research team found that both senior and youth participants experienced significant increase in life satisfaction and resilience, as well as decreased loneliness. ARTISAN, with its intricately designed art and heritage program was able to connect participants’ individual stories with the national stories of Singapore to forge a deepened national identity and a stronger sense of unity under the skylights of the museum space.
Following the successful outcomes of the pilot study, the team sought to better understand the mechanisms underlying ARTISAN’s integrative framework, as well as the interplay between different intervention components including intergenerational storytelling, creative art-making and curated museum tours. As such, ARTISAN 2.0 (Deconstructing the Integrative Efficacy of a Multimodal Art-based Intervention to Strengthen Understanding and Demystify Misconception on Arts Heritage and Health) was conceived.
ARTISAN 2.0 involves a research study that test the effectiveness of holistic health promotion among 5 intervention conditions including (1) the full ARTISAN programme; (2) Intergenerational Artmaking; (3) Intergenerational Museum Tours; (4) Intergenerational Storytelling; and (5) Intergenerational Exercise. While the programmes were designed to be run in-person, it was translated onto an online platform for the safety of all due to the COVID-19 pandemic. With strong partnership amongst all stakeholders, a virtual implementation of ARTISAN 2.0 was developed, encouraging creative and active engagements from the comfort of the participant’s homes.
In July this year, 140 youth and seniors were paired and collectively embarked on a 5-week virtual adventure while improving their holistic health over various activities. The pairs enjoyed the activities as a group on Zoom and forged deeper intergenerational relationships in breakout rooms. Participants in the physical exercise group worked up a sweat virtually through intergenerational aerobic exercises led by a skilled physical trainer. Those in the intergenerational art-making programme explored a myriad of visual art mediums with their partner, an enthralling experience of creative expression led by a local artist. Youth and seniors in the intergenerational museum tours discovered Singapore’s artefacts and unique history through interactive virtual tours of the galleries, live streamed from the National Museum of Singapore. In the intergenerational storytelling group, participants shared their life experiences and wisdom with each other, and were transported to various times in their partner’s lives. Participants in the ARTISAN group experienced an intricate combination of curated live streamed museum tours, professionally led art making and a guided narrative experience, based on the empirically based ARTISAN framework themes of discovering their national heritage, building lasting social bonds, reflecting upon resilience while overcoming adversities and collectively building dreams and aspirations for their future.
After five weeks of engaging in the various programmes offered in the ARTISAN 2.0 study, participants experienced positive life changes such as confidence to learn new skills, greater zest for life, and strengthened relations with others. An 18-year-old female participant shared that the ARTISAN “programme gave (her) a lot of positive interactions, and (she) really enjoyed listening to the big group sharing. It was very enjoyable for (her) as it was like a stress reliever. (She) was generally happier throughout the five weeks, and (she) was engaging (her) family in conversation more (often) as well.” Similarly, a 69-year-old male participant “realised that if (he was) able to communicate with the (youth) participants during the five weeks, why can’t (he) communicate with (his) grandchildren? This programme encouraged (him) to open up to his grandchildren.”.
Participants also observed improvements in their wellbeing and quality of life after completing the ARTISAN 2.0 programmes. One 30-year-old female participant explained that she was “diagnosed with insomnia but realised that these five weeks (of attending ARTISAN) have been so good, (she) had no troubles sleeping (at all).” In terms of psychological health, a 76-year-old female participant shared that “(her) mood has been better, and (she) has less frustrations” and the programme made another 70-year-old participant “feel like (she) has become younger at heart”.
For some older participants, joining an online programme may seem challenging to navigate. Over time, with weekly practice, the support provided by facilitators and fellow participants as well as a willingness to learn, many were able to independently enjoy the activities on zoom. A 68-year-old lady mentioned that “during the first and second week, (she) needed guidance from (her) grandchild. At the end of the programme, (she) can log into Zoom by herself.” Initially, some youth participants were also worried about engaging with seniors on an online platform, however, their concerns were eased as they found the online platform and the ARTISAN programme to be “a very comfortable space, it was very easy for (them) to engage with the seniors, and it didn’t really feel like (the seniors) were from a different generation, it felt more like we were friends talking and hanging out (18-year-old, female)”
During these unprecedented times where physical distancing and staying home remains the default, the ARTISAN 2.0 study showed that virtual arts and heritage intergenerational group-based interventions have vast potential to empower and forge meaningful relationships among youths and seniors, bringing them closer together in healing loneliness. July 2021 was fraught with uncertainty and challenges for many in Singapore, nonetheless, it was an eventful journey for all who were involved in ARTISAN 2.0, fostering a narrative of renewed strength and shared humanity.
Image 1: Holding up emblems and pictures of loved ones to start off a wonderful morning of sharing life’s best moments, exchanging stories and wisdom for participants in the storytelling group
Image 2: Participants in the physical activity group showing their strength after a virtual morning workout together
Image 3: Participants in the museum tour groups giving a big thumbs up to thank our museum tour docents for their engaging and wonderful tours.
Image 4: Fancy some kueh-kueh? Participants in the art-making group sharing clay models of their favourite foods.
Image 5: Participants may be tuning in remotely, but that does not stop them from creating art together. “Our Future Singapore” is a digital collage of the participant’s collective dreams and aspirations for Singapore.
Caption: TOUCH senior Mdm Tan Siok Cheng, 77, and youth volunteer, Mr Fabian Foo, bonding over a craft session. (Photo Credit: Gabriel Goh, Stellar Photography, for ARCH Lab, Nanyang Technological University)
ARTISAN: Aspiration and Resilience Through Intergenerational Storytelling and Art-based Narratives – A Pilot Study by the Nanyang Technological University
Project ARTISAN – which stands for Aspiration and Resilience Through Intergenerational Storytelling and Art-based Narratives – is an intricately-structured and holistic multimodal intervention framework that builds resilience and creates meaningful connections between youth and seniors by bringing them together in museum and community spaces.
Over five weeks earlier this year, 34 pairs of youth and seniors embarked on a journey of inter-generational storytelling and creative art-making at the National Museum. They learnt about Singapore’s heritage, the relational bonds forged by our pioneers, the resilience they displayed while overcoming adversities, and the realisation of their dreams and aspirations.
The youth-senior pairs were then given the opportunity to reflect and share their personal stories of love, courage and resilience through artistic expressions and creative writing. Their art-based narratives were shared with members of the public during a series of mini community exhibitions held in May and June this year.
“The ultimate goal of Project ARTISAN is to strengthen social connections and relational bonds to combat isolation and loneliness, while promoting wellbeing and resilience for building a stronger and more compassionate Singapore,” stressed Dr Andy Hau Yan Ho, Assistant Professor of Psychology at Nanyang Technological University (NTU) and Principal Investigator of Project ARTISAN.
Bridging the generation gap through art
Mr Teddy Tan Hock Soon, 77, from TOUCH Senior Activity Centre in Yishun, was mesmerised by the exhibits at the National Museum of Singapore on 21 June. Accompanied by a youth participant from NTU, Mr Tan reminisced about his past, sharing eagerly about the significance of these items and how he came to know about them.
“I was so happy to see familiar artefacts from the past displayed at the museum! It brought back memories of my younger days,” said Mr Tan.
Caption: Mr Teddy Tan Hock Soon with youth volunteer Ms Ariel Pereira, posing with their art pieces
Caption: Youths with seniors from TOUCH Senior Activity Centre at Yishun proudly displaying their art exhibits
From discovering Singapore’s national heritage to exploring its hope and future, each session began with a guided museum tour, which started conversations between the youth and seniors. They then created their own artwork – together – using a range of art medium, facilitated by a trained artist or art therapist. After the guided art making, they presented their art pieces and shared their stories to the rest of the group.
Caption: Coming together to learn and connect
Youth participants from NTU, Nanyang Polytechnic and Ngee Ann Polytechnic provided positive feedback as they recounted good experiences of their time with the seniors.
“My partner was always very willing to help others. During the art making sessions, she often made flowers out of plastic bags to use them to decorate the art pieces we made. However, when one team struggled to complete on time, she offered them a few flowers of her own as a replacement,” said student volunteer Ms Denise Lim Ying.
Despite experiencing some language barrier, students noted how the aunties and uncles made an effort to interact with them. They were touched by their love and sincerity through their small exchanges.
“Once I started to open up, I began learning more about Aunty Mok Ah Mui. She is very wise and has a carefree personality – a trait I hope to model as I am quite the opposite,” said student volunteer Mr Amos Tan.
Exploring life experiences
Through Project ARTISAN, meaningful conversations ensued as both students and seniors exchanged notes on what they saw and remembered about Singapore’s cultural heritage. The students were amazed by the stories of antiques that were no longer in production.
Student volunteer Mr Fabian Foo described a particular art piece that he and his senior partner created called ‘Day and Night’. He explained that the piece illustrates the different lives they live as a youth and a senior.
“I learnt about the value of saving and how to spend my money wisely. I feel that this truly showed the different lives we have lived and the things we, the younger generation, have taken for granted,” said Mr Foo.
Participant Ms Violet Yeo from TOUCH’s Community Enablement Project (CEP) emphasised the importance of such programmes, citing it as a good medium for the elderly to explore their creativity.
Caption: Ms Violet Yeo (right) participating in a sharing session at an Ang Mo Kio void deck together with residents and youth participants
“A lot of seniors I have met often tell me they feel lonely. This project helps seniors to express themselves. It also gives them something to look forward to as they get the opportunity to interact with others,” said Ms Yeo.
Caption: TOUCH’s CEP participants with youth volunteers displaying their cityscape model featuring futuristic HDB flats and enhanced infrastructure using vibrant colours and recycled materials
Project ARTISAN brings together seniors and youths on a journey of intergenerational storytelling and creative art-making under the skylights of museum and community spaces. ARTISAN – which stands for Aspiration and Resilience Through Inter-generational Storytelling and Art-based Narratives – comprise a holistic and intricately structured multimodal intervention framework that builds resilience and creates meaningful connections between the two generations. ARTISAN aspires to instill positive and impact changes in participants’ lives, with the ultimate goal of citizen empowerment for overcoming loneliness.
Over five weeks in the early summer of 2018, thirty-four pairs of youth-senior dyads engaged in a series of curated tours at the National Museum, to understand Singapore’s heritage, how people in the past have forged relational bonds, the resilience they displayed while overcoming adversities, and how they realised their dreams and aspirations. The youth-senior dyads were then provided with the opportunity to reflect and share their personal stories of love, courage and resilience through artistic expressions and creative writing. Their art based narratives were shared with members of the public during a series of mini community exhibitions held in May and June 2018, as well as through the ARTISAN Exhibition at the National Museum during the 2018 National Day Open House event on 9 August 2018.
A new grant proposal “ARTISAN: A National Study on Citizen Empowerment to Overcoming Loneliness through Arts and Heritage” has recently been submitted to the 2018 Social Science Research Thematic Grant. This new initiative aims to expand and implement the ARTISAN intervention framework across 6 major museums and galleries across Singapore via a Waitlist Randomized Controlled Trial with 400 seniors and 400 youths, while developing an ARTISAN Facilitator Training and Mentorship Programme to empower 200 health and social care professionals to advance societal-wide implementation of ARTISAN beyond research completion, as well as establishing a digital achieve named “Stories Connect” that house and disseminate the unique personal life stories of ARTISAN participants with educational tools to support local Heritage and Value Education programmes.
Project ARTISAN is a project developed by the Action Research for Community Health (ARCH Lab), Nanyang Technological University of Singapore in collaboration with the National Arts Council and the National Museum of Singapore.”
In dignity therapy, a completed generativity document is passed to the patients so that they can share it with their loved ones. This helps to create a conversation between patients and their family members before the patient’s death. As mentioned in the previous blog entries, dignity therapy provides a platform for individuals to explore their existential achievements and express heart-felt messages to family members or other significant individuals. What happens when the patient does not have a designated recipient for the generativity document? As Katherine said, “Sometimes people engage in dignity therapy just because they wanted to experience the journey.” The gist of dignity therapy is to provide a platform for patients to review their lives and they do not have to dedicate the document to a specific person per se.
Dr. Lori brought up an extremely important point when it was nearing the end of the training workshop: when we are conducting dignity therapy, we may tend to focus on patients’ lives before they were diagnosed; that may potentially imply that patients are more “valuable” when they were well. Thus, it is crucial to be mindful of our personal biases and acknowledge who patients are and where they are at.
Though dignity therapy question protocol is generally used to promote therapeutic alliance where patients feel they are being treated as a person, it can be adapted in various settings with a tweak in how questions are being asked. For instance, the same protocol had been used in family setting to initiate heart-to-heart conversations between patients and family members without the presence of a dignity therapist; this process was identified as helpful and has been termed as “dignity talk”. Our FDI study has also adapted the question protocol into Asian context, with additional element on family connectedness in reflection of the culture. Stay tune to our website for more updates!
At the end of the training workshop, a treasure box was passed around and we were each invited to take one piece of paper from the box. It was a parting gift made of quotes from patients who have received dignity therapy in the past. Some of the quotes belong to patients who have gone home, and some belong to patients who are still living. Regardless of which, we (referring to the facilitators and workshop attendees) now carry them with us.
It was indeed a fruitful journey traveling to Winnipeg to attend the Dignity Therapy Training Workshop. Though dignity therapy is initially used in palliative end-of-life care setting, its effectiveness and empirical support have sparked great research interests to adopt this therapy across various settings and cultures. Our FDI study is first ever attempt to expand dignity therapy into the Asian context. Informed by a rigorous body of empirical research that examined the meaning and constructs of dignity in Asia palliative care, we are incorporating a number of family-focused and cultural-specific elements into the therapeutic process and question protocol. When one of the training workshop participants asked Dr. Harvey whether he has ever anticipated dignity therapy to draw on such great interest in healthcare and research settings, he humbly said no, yet, such interest should not come as a surprise given the potential benefits dignity therapy offers to patients and families.
It has been a week since I returned from Winnipeg, but I vividly remember Dr. Harvey’s and other dignity therapists’ facial expressions as they were sharing their experiences interacting with patients and family members; there were signs of tears in their eyes reflecting the light from ceiling lights overhead, their faces flushed pink and their gazes wandered into the distant past as they were recalling their memories. Those expressions reflected the mixed feelings they each had in remembrance of the patients and family members they have encountered in the past and present. In my eyes, taking up the role as a dignity therapist and engaging in the therapy process with patients and family members could be one of the significant memories in the facilitators’ lives; I find that beautiful and I wish to embark on similar journey with our FDI research. At the end of my life, I know being part of FDI study and building rapport with the patients and family members will definitely be one of the most significant memories I’ve had. This marks the end of my sharing on my dignity therapy training experience and learning outcomes, but it also signifies the beginning of our FDI journey. Stay tune!
In dignity therapy, three types of stories are often shared by terminally-ill patients: (a) happy stories (contain elements of gratitude, experience of love and joy), (b) sad stories (contain elements of personal tragedies, perceived failure, and regrets), and (c) ugly stories (contain elements that may potentially harm the identified recipients). “Not all stories are pretty, and they don’t have to be,” said Dr. Lori Montross Thomas, an assistant professor in the Department of Psychiatry as well as Family and Preventive Medicine at the University of California, San Diego (UCSD). Generativity documents should contain information uniquely present in a person’s life; the stories being shared could be a mixture of happy, sad, and ugly stories. Dignity therapy provides an opportunity for individuals to reflect upon their less-pleasant stories positively and find meaning in those stories. Ultimately, what we have experienced and how we interpret our experiences shape who we are today; validating those experiences allows us to see who we are in whole, instead of parts of who we are.
That being said, it is crucial to have a safety plan ready at the back of our minds to manage ugly stories. This ensures patients receive adequate care and support in the midst of creating their generativity documents. Dignity therapists are expected to exercise their clinical judgment throughout the therapy process in order to ensure that they do no harm to the patients and also the recipients of generativity documents. For example, when we assess some stories to be potentially harmful to the recipient, it is essential to reflect this to our patients and process with them the suitability and beneficence of adding such content into their document. This offers opportunity for patients to re-examine their documents and promotes patients’ sense of control by giving them the options of what stories can be included or excluded from their documents. In view of the principle to do no harm, dignity therapists are NOT obliged to deliver harmful messages to recipients.
Given that the nature of dignity therapy revolves around reviewing one’s past experiences, it does not come off as a surprise that patients feel overwhelmed in the midst of recalling unpleasant memories, particularly the sad or ugly stories. In such situations, dignity therapists may put the session on hold and proceed with providing support via counselling or psychotherapy. Dignity therapy does not have to be completed within a session. If patients are feeling overwhelmed due to the stories being shared or feeling fatigue due to their medical conditions, dignity therapists are recommended to take a break or schedule a different session before resuming the process when patients are feeling better.
Like many other therapeutic relationships in counselling and healthcare settings, dignity therapists are seen as experts and may often be perceived as a figure of authority holding greater power in compared to patients themselves. Therefore, it is important to be mindful of our power in the relationships when conducting dignity therapy so that the process can be therapeutic for patients and even family caregivers. We can address our power in the relationships by being upfront about it from the beginning of the session, highlighting that patients and family caregivers are the experts of their respective life, not us; doing so empowers patients and family caregivers to share their stories and perspectives without the concerns of being judged or being in the wrong. Since the focus of dignity therapy is ultimately on constructing the content of generativity document which will be passed on to identified recipients, it is therefore crucial to be mindful of our personal agenda versus the patients’. For dignity therapists who come from counselling, psychology, or social work backgrounds in particular, it can be a delicate balance between completing the generativity documents as per patients’ identified goals versus engaging patients to address their emotional experiences in the midst of reviewing their lives. Time is limited. When dealing with patients who are receiving palliative end-of-life care, we ought to prioritize short-term dignity therapy goals in which they could benefit from instead of long-term psychotherapy goals.
In order to facilitate our understanding of the dignity therapy process, we were asked to pair up to engage in role play, where we took turns to play the role as a therapist and subsequently as a patient. I chose to pair up with Geraldine as we have a strong rapport and I was comfortable enough to share some of my stories with her (to make the role play more genuine), including the sad stories. That experience truly opened my eyes. As Geraldine gently took me on a journey in reviewing glimpses of my life thus far, I have surprisingly uncovered the significant events I held close to my heart. It was a mixture of happy and sad stories, weaving into the themes of resiliency, social support, and a pursuit of dreams. The journey was relatively short, approximately 20 minutes; nevertheless, it was indeed thought provoking, and it strengthened my sense of purpose in life. When I took on the role as a therapist, I struggled to find that balance between focusing on the content of generativity document versus processing Geraldine’s disclosure from a psychotherapy perspective. Despite that struggle, I was able to connect with Geraldine as she was sharing her stories. That connection was beyond words, and I look forward to experiencing more therapeutic alliance as such during our upcoming FDI intervention phase.
When it comes to editing and producing the generativity document, it is important to retain the voice of dignity therapist (also known as interviewer in the document) in order to provide a context on the content. Clinical judgment needs to be made to what extent a dignity therapist would include their exchange with patients in the document. Dignity therapists need to keep the patients’ voices in their heads as they are doing the editing, and constantly reflect on how the recipients would receive the messages; doing so ensures the genuineness of said generativity documents. We were also given the opportunity to edit a generativity document as part of the experiential activities. In my perspective, it is easy to edit a normal document but it is challenging to edit a generativity document while making sure that it still “sounds” like the patient at the end. Nevertheless, the end results would be satisfying, existentially speaking.
Dignity therapy is essentially an empirical-based intervention adopted in palliative end-of-life care setting with the intention of decreasing patients’ suffering and bolstering their sense of meaning, purpose, dignity, and quality of life. “Psychology of illnesses is associated with psychology of losses,” said Dr. Harvey as he walked us through the key elements of dignity therapy. Through various research findings and clinical examples, we have come to understand that losing functional abilities often associates with sense of being out of the norm, which then evokes sense of social shame and subsequently diminished dignity. Us, human beings, constantly seek for affirmation through the eyes of our beholders as a reflection of our existence and purpose. We seek to be treated as a whole person even in our final days, and dignity therapy offers just that through understanding the person as who they are, who they were, and what they would like to share with us.
After going through the theoretical groundwork of dignity therapy, the subsequent training workshop sessions focused on the technical aspects. Dignity therapists would go through a series of baseline questions first during the initial interview (Note: this process is also known as “framing history”) such as how patients would like to be addressed, basic demographic information, their purpose of doing dignity therapy, who the identified recipients are etc. This information provides a metaphorical frame within which the dignity therapy interview paints the detailed picture. A copy of the question protocol is given to patients for review prior to the subsequent dignity therapy session. During the dignity therapy session, dignity therapists would explore items highlighted in the question protocol, or address items stood out to patients the most.
Given that patients are in palliative end-of-life care setting, it does not come off as a surprise that patients experience exhaustion or feel unwell during the session. In such situations, dignity therapists may reschedule and resume the session when patients are in a better state and capable of engaging in insightful reflection. Dignity therapists would then proceed with the interview transcription and editing (Note: the edited transcript will be known as “generativity document”) prior to meeting up with patients subsequently to review the document. Patients are allowed to add more stories to or remove stories from the generativity document during the review session before finalizing it. The finalized generativity document will then be given to patients before sharing it with identified recipients. Due to the time sensitivity nature of palliative end-of-life care setting, this entire process should take approximately two weeks, though it may vary depending on patients’ health and the number of edition required prior to finalization. I will elaborate on the technical components in greater detail through the subsequent entries.
I particularly liked how Dr. Harvey used the term “existential readiness” to address individuals who are more likely to be willing to take on dignity therapy and benefit from it. In his words, existential readiness is when a person is ready to explore and review their (Note: gender neutral pronoun is adopted here) sense of existence and lifetime accomplishments. “Dignity therapy is not for everyone; not everyone is ready for and would benefit from it,” said Katherine Cullihall, a research nurse in the Research Institute of Oncology and Hematology (Patient Experience) at CancerCare Manitoba. In her elaboration, patients may not be ready to take up dignity therapy, especially during the first phase of diagnosis because they may need time to process and accept their diagnosis before they feel ready. However, it is acceptable to let them know that dignity therapy service is available for them should they feel ready to talk about it.
Our attention was then directed to this specific question as we were going through the question protocol. “Looking back at your life, when did you feel most alive?” It was a simple question, and yet it resonated in my heart with great intensity. As we live our lives, we often forget how time would pass us by regardless of where we are and what we do; it is unbelievably easy to take our roles and each passing moment for granted. This question, however, creates an opportunity for us to pause and think, “when do I feel most alive, really?” As it brings our attention to what matters the most, we are also given the opportunity to reflect upon the meaning and purpose of our existence, reminding us of who we are.
“Looking back at your life, when did you feel most alive?”
In Singapore, demand for palliative care has surged over the past decade and will continue to rise in the future under the context of population ageing. However, most palliative interventions still focus predominately on pain and symptom management without addressing psycho-socio-spiritual concerns. In addition, there is no available palliative care intervention for dignity enhancement in the Singapore to date, and little has been done with the Asian population. Building on our empirical foundations and expertise in dignity and dignity therapy, we have set off to develop and test a novel Family Dignity Intervention (FDI) for older Asian terminally-ill patients and their family caregivers. The FDI will emphasize on dyad work to strengthen family connectedness and cultivate filial compassion by providing a platform for expressions of appreciation, achieving reconciliation, and passing on transcendental wisdom and values across generations.
Though the FDI design and its intervention protocol are fundamentally based on the original dignity therapy, they are different in the sense that FDI focuses on the family as a collective unit (i.e., patients and family caregivers) in creating the legacy document while dignity therapy focuses on individuals (i.e., patients themselves). Nevertheless, it is crucial for us to gain in-depth understanding on dignity therapy prior to commencing our FDI study. In preparation for our FDI study, my fellow Research Associate, Geraldine, and I were sent by the Nanyang Technological University (NTU) of Singapore to attend the Dignity Therapy Workshop held in Winnipeg, Canada. The training workshop was led by Dr. Harvey Chochinov, our international collaborator, and a team of experienced dignity therapists. It was truly exciting to think about the potential learning outcomes, networking opportunities, and inspirations that would transpire from those interactions.
Prior to attending the training workshop, I found dignity therapy to be an empowering intervention as it offers a platform for patients to review their lives and reflect on their existential accomplishments (e.g., personal identities and social roles, personal achievements, life experiences and memories, interpersonal relationships). Coming from a counselling psychology background, I have received training in assisting individuals to (a) explore their past unfinished business and current struggles, (b) gain further understanding in regards to their thought processes and emotional experiences, and (c) elicit some form of change and achieve healing. Dignity therapy, however, steers the exploration in a different manner. The question protocol takes on a strength-based approach, where the questions were designed to empower patients by validating their existential accomplishments and allowing them to express heart-felt messages for their loved ones via a generativity document. Despite the different approaches, therapists practising dignity therapy and/or other psychotherapies aim to create a safe space where individuals are seen as a person and able to share their stories without the concerns of being judged.
After attending the training workshop, I have come to understand dignity therapy on a deeper level and also appreciate its flexibility in adaptation across settings and cultures. I have summarized the gist of my training experience and learning outcomes in the following entries, hoping to share my excitement of embarking on this journey with you.